What I the Guiros Instrament Family What Is the Guiro Instrument Family
 Puerto Rican güiro on brandish in the Instrument Museum of Phoenix | |
| Percussion instrument | |
|---|---|
| Other names | Güira, rascador, güícharo (Puerto Rican, made from plastic), candungo, carracho, rayo |
| Classification | Idiophone, tin exist made from forest, gourd, metallic, plastic or fiberglass |
| Hornbostel–Sachs classification | 112.23 (Scraped idiophone, vessel) |
| Playing range | |
| Speed of scrape produces some variation | |
| Related instruments | |
| Güira, guayo, guacharaca, reco-reco, quijada, washboard, vest frottoir | |
The güiro (Spanish pronunciation: [ˈɡwiɾo]) is a Latin American percussion instrument consisting of an open-concluded, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines (see photograph) forth the notches to produce a ratchet sound. George Harrison plays one on The Beatles' "Tell Me What Y'all See" [1]
The güiro is commonly used in Puerto Rican, Cuban and other forms of Latin American music, and plays a key role in the typical rhythm department of important genres like son, trova and salsa. Playing the güiro normally requires both long and brusk sounds, made by scraping up and downward in long or short strokes.[2]
The güiro, like the maracas, is frequently played by a vocaliser. It is closely related to the Cuban guayo, Dominican güira, and Haitian graj which are made of metal. Other instruments like to the güiro are the Colombian guacharaca, the Brazilian reco-reco, the quijada (cow jawbone) and the frottoir (French) or fwotwa (French Creole) (washboard).[2]
Etymology [edit]
In the Arawakan language, a linguistic communication of the ethnic people of Latin America and spread throughout the Caribbean spoken by groups such every bit the Taíno, güiro referred to fruit of the güira and an instrument made from fruit of the güira.[3]
Construction and pattern [edit]
The güiro is a notched, hollowed-out gourd.[iv] Often, the calabash gourd is used.[5] The güiro is made by carving parallel circular stripes along the shorter section of the elongated gourd. Today, many güiros are made of forest or fiberglass.[half dozen]
History [edit]
The güiro was adapted from an musical instrument which might have originated in either South America or Africa.[2] The Aztecs produced an early cousin to the güiro, called the omitzicahuastli, which was created from a small bone with serrated notches and was played in the same way as the güiro.[7] The Taíno people of the Caribbean take been credited with the origins of the güiro.[viii] The Taínos of Puerto Rico developed the güajey, a long gourd or animal bone with notches, an ancestor of the modern twenty-four hours güiro.[ix]
Alternatively, the güiro is also believed to have origins in Africa and to have been brought over to Latin American and the Caribbean area by African slaves.[10] Blench (2009) suggests a connectedness with the scraped idiophones of Republic of cameroon and other regions of Due west and Central Africa (come across listing of musical instruments of Cameroon).[eleven] The Berom people of central Nigeria also have scraper or guiro-like instrument called gwák or gwàshák.[12]
Use in music [edit]
Across Latin America and the Caribbean, the güiro can be found in a variety of traditional, folk trip the light fantastic music and used in dance ensembles and religious festivals.[6] In the Yucatán Peninsula, the güiro is used in two Mayan dances, the mayapax and the jarana.[eight] In Cuba, the güiro is used in the genre danzón.[8] In Puerto Rico, the güiro often associated with the music of the jíbaro and is used in the musical genres of the plena, the seis, and the danza.[ix] [xiii] In the Caribbean declension, the güiro was used in traditional, folk dance cumbia music and is nonetheless used in modern cumbia music.[8] In Panama, the güiro tin exist establish in folk dances such as the merjorana and cumbia.[6]
Use in classical music [edit]
The güiro is used in classical music both to add Latin American season, and also purely for its instrumental qualities.
Examples of compositions including a güiro are Uirapuru by Heitor Villa-Lobos (though the score specifies reco-reco), Latin-American Symphonette by Morton Gould and The Rite of Jump (Le Sacre du printemps) past Stravinsky.[14]
Gallery [edit]
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Mod fibreglass Cuban güiro
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Güiro for children
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Churuca panameña
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Mexican güiro
Come across also [edit]
- Guacharaca
- Guayo
- Güira
- Music of Latin America
- Reco-reco
- Scratcher (instrument)
- "Under the Boardwalk", a popular American rock and scroll song by The Drifters with a prominent güiro
References [edit]
- ^ Torres, George (2013). Encyclopedia of Latin American Popular Music. Santa Barbara, CA: Greenwood. p. 184. ISBN9780313087943.
- ^ a b c Shepherd, John, ed. (2003). Continuum Encyclopedia of Popular Music of the World, Book 2: Performance and Product. London, UK: Continuum. pp. 372–373. ISBN9780826463227.
- ^ C., Resnick, Melvyn (1981). Introducción a la historia de la lengua española. Washington, D.C.: Georgetown University Press. ISBN0878400834. OCLC 7875400.
- ^ Sue Steward (ane October 1999). Musica!: The Rhythm of Latin America - Salsa, Rumba, Merengue, and More. Chronicle Books. pp. 6–. ISBN978-0-8118-2566-5 . Retrieved 16 April 2013.
- ^ Wasserman, Marking (2012). The Mexican Revolution: A Brief History With Documents. Boston: Bedford/St.Martin's. pp. 11, 12, 63, 69, 112, 121.
- ^ a b c Schechter, John. "Güiro". Oxford Music Online.
- ^ Russell, Craig (1998). "Music: Mesoamerica Through Seventeenth Century". Encyclopedia of Mexico: History, Society & Culture.
- ^ a b c d Mark., Brill (2011). Music of Latin America and the Caribbean. Boston, MA: Prentice Hall. ISBN9780131839441. OCLC 653122923.
- ^ a b Ríos, Kristof (2014). "Puerto Rico". In Stavans, Ilan (ed.). Latin Music: Musicians, Genres, and Themes. Santa Barbara: Greenwood.
- ^ Gackstetter, Nichols, Elizabeth (2015). Popular culture in Latin America and the Caribbean. Robbins, Timothy R. Santa Barbara, CA. ISBN9781610697538. OCLC 919876279.
- ^ Blench, Roger. 2009. A guide to the musical instruments of Cameroun: classification, distribution, history and vernacular names. Cambridge: Kay Williamson Educational Foundation.
- ^ Blench, Roger. 2021. The musical instruments of the Berom of Central Nigeria. Cambridge: Kay Williamson Educational Foundation.
- ^ Solís, Ted (1995). "Jíbaro Image and the Environmental of Hawai'i Puerto Rican Musical Instruments". Latin American Music Review / Revista de Música Latinoamericana. 16 (2): 123–153. doi:ten.2307/780370. JSTOR 780370.
- ^ Karl Peinkofer and Fritz Tannigel, Handbook of Percussion Instruments (Mainz, Germany: Schott, 1976), 154.
External links [edit]
- Picture and clarification of a güiro made by the Taínos
- Video demonstrating how to play the güiro past Bobby Sanabria affiliated with Jazz at Lincoln Center
Source: https://en.wikipedia.org/wiki/G%C3%BCiro
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